Ink Flow

I've had a tennisarm for quite a while and it's driving me crazy. Yup, that's one of the reasons why I didn't post something new. Although it's getting better everyday I still can't use it well for painting and drawing like I want to. I have a pile of work waiting for me with a deadline so it's hard sometimes not to get too frustrated. To take my mind of this project waiting for me to continue (and finish in time!) I had to do something to keep me busy.

A friend of mine advised me to take my new ink and my dipping pen and start making quick sketches. No time wasting on observing every little detail, making numerous studies before I really started... no, nothing of that this time. Just sit and sketch with pen and ink.

The first drawing wasn't free at all. I did a sketch first and traced the pencil lines with the dipping pen. The result was nice but not much more than that:

Pyrola rotundifolia (Round-Leaved Wintergreen)

The drawings after this one were much better. Now I must say that I have done this in the past but had totally lost it over the last ten years or so. It's such a relief to let myself go again and not to worry about the mistakes. I HAVE to accept that mistakes will happen and that I can't undo them. I always enjoy much more the sketchbooks and the direct sketches and studies of other artists than their "finished" work. It sounds silly but it never occurred to me that my own sketches might have that same kind of charm.

So for these drawings, I'll show you three here, I made the drawing with my dipping pen (a Speedball pen with Hunt nib 22, extra fine) and three kinds of ink: J. Herbin 'Cacao du Brésil' and 'Vert Olive' and Winsor & Newton Matt Black Calligraphy Ink. Also did wet-in-wet washes with those inks for shape and depth.

Rose hip

Dried Beech leaves in winter

Iris siberica seedpods

Winter subjects with dried old dead stuff is perfect for doing these sketches. So for this the timing is good. Although I really rather have my good arm back and draw for the next exhibition...

Spring is coming!

The very first sign of spring for me is when the Hazel (Corylus avellana) in my back garden starts to flower. The large yellow-green catkins dangling in the wind always make me smile. So fun that the male (the large greenish worms) and female (tiny red fluffy bits) catkins flower on the same twig.

I wanted to paint a larger twig than this but got a bit bored by the catkins. To be honest, I started to paint it very detailed but soon got lazy. And since I was doing it for fun I made a bit impressionistic catkins. At the end I put in some sharper details and shadows. I think I got away with it :P

Scarlet Elf Cups

Winter seems a strange period to go hunting for mushrooms. But there are a few that only can be found in this period of the year. The Scarlet Elf Cup (Sarcoscypha coccinea) is one of them. It loves snow and freezing temperatures. This fungus grows on decaying branches in damp spots on forests floor. It's a rare fungus in the Netherlands... or so they say. Winter, snow, freezing cold and crawling under bushes isn't a very pleasant combination for most people, so it's not surprising it's not such a common sight.

I painted this little group of Scarlet Elf Cups like they were found. On the branches, with moss and dead leaves. I first painted the Fungi because I knew they loved the cold and damp.... not my dry and warm studio. The interior of the cups is bright red and very smooth. The outside is lighter and orange. later they turned even lighter, almost white. Maybe that had something to do with the dry, warm air. They are quite small, about 2 cm.
The hardest part was to paint the moss around the mushrooms. So delicate and fluffy. But I decided not to get into details too much since the focus should be on the fungi. I think I managed to do it. Creating this very tiny little world from the forest floor.